Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts
Thursday
Half A Mill Documentary "Player Hating: A Love Story" Interview With Director Maggie Hadleigh-West
My brief Interview with "Player Hating, A Love Story" Director Maggie Hadleigh-West
I went to Medgar Evers Tuesday night to see a screening of a film about a rapper. Turned out to be about Half A Mill. I honestly wasn't expecting much but the film was pretty good. I enjoyed it. After the screening there was a Q&A. I'm not fond of panels and most discussions that follow films about black folks. We always seem to end up in the same place upset and arguing saying nothing much that could actually affect change.
I couldn't take it and stood up and addressed the entire audience. In my brief rant I spoke about taking responsibility for one's self and for those who are around you. Being proactive and making a concerted effort to find something you can do to affect change. Someone kept asking, "but what can we do?" I pointed at the people on the panel and shouted they're telling you what you can do. Support them! I addressed the fact that if you truly want to do things you simply find a way to do them. I expressed that change is not always tied to a budget and it's important to understand that there is nothing small about any effort you make toward progress. You all want to have a perfect body but don't want to watch your diet and exercise. It ain't finna happen. I shared how one day I thought about how simply being nice to people in the street and smiling, speaking, kind gestures are powerful because there are people walking around everyday that simply do not want to live. All in all you have to actually care about people in order to want to help people. We are far too apathetic about things that happen around us that don't directly affect us. That has to stop. But we have to stop it. It's either do something or pretty much shut up.
Anyway... So much more to say but I won't. What I will say is that I support this film and I'd hope people will support it as well.
It's very interesting what gets support when it comes to the world of Hiphop and I'm not even discussing on a mainstream level because we all already know what it is.
This film deserves that support.
Quad Cinema: Fri. April 6 - Thurs. April 12
34 West 13th Street, NYC 10011 • 212.255.8800
Indie Screen: Fri. April 13 - Sat. April 14
289 Kent Ave. Williamsburg, BK, NY 11211 • 347.227.8030
Player Hating: A Love Story
Definition: Player Hating- Someone else is about to shine, and you'll do anything to keep that motherfucker from getting his cheese — it can be as subtle as negative flow (lyrics) or as extreme as trying to clap (shoot) him. -- Trent Bond, Half's Manager and former NYPD Detective
Half-a-Mill is a 26 year old hip hop artist from the Albany Projects in Crown Heights, Brooklyn. By the time he was seven, Half was sharing a gun with his brother, 'cause he was sick of people putting their guns in his face in the elevator of his building, and not being able to do anything about it. Half's been running with the same ten guys, since he was real little, and they're his crew. But he's the one that will take all of them out of the projects because he's been signed by the indie music label, Warlock Records. Half and his crew are doing most of the work to launch his first album Milion, but that's ok because there's the chance they'll blow up, and Half wants that so bad he can taste it, and he'll do whatever he has to do, in order to support himself, his family and his music.
Player Hating: A Love Story follows Half-a-Mill and his Brooklyn crew, The Godfia Criminals, as they struggle to launch Milion, in an effort to attain money, success and recognition through music. Player Hating delves intimately into the lives of young "thugs", and takes the viewer into an underground world of poverty, alienation, gangs, violence and music that most audience members have an inkling of, but few rarely see—unless they've lived it.
http://iareconscious.com/site/?p=1788
Wednesday
The Adam B Experience w Conscious 12-14-07
Here's a clip from my most recent appearance on The Adam B Experience (WVOF 88.5FM Fairfield CT). There's a bit of talk about upcoming projects and a handful of good quotes. There's a bit of ridiculous nonsensical banter as well. A fair balance I would say.
Saturday
Conscious' Q & A With The 'Hebrew Mamita', Vanessa Hidary
Conscious: So miss Vanessa Hidary, what's going on with you this year? Introduce yourself to our readers. Let'em know who the 'Hebrew Mamita' is.Vanessa Hidary: Hey Conscious. Or is it still Stream of Conscious? :) Or did you abbreviate as the years have rolled on? Lets see how can I describe the Hebrew Mamita. The sexy, Oy veying-matzoh eating, chutzpah having, non-cheaping, non conspiracizing, hip hop listening, torah scroll reading, all people loving, pride filled Jewish Girl! Ha, that’s my poetic tag line. These days I call myself a "solo performer". It seems more inclusive than Actress or Spoken Word Artist.
Read the rest of the Q&A's here.
Tuesday
Life On Wax Interview
LoW:In an earlier conversation we were having you said that you are starting not to care what people think about your music-- then what is the point of making music?
Conscious: Nah I didn't start to 'not care' what people think about my music, I was talking about not caring what other people think about music I listen to. Or rather, their opinions about certain artists that I happen to like. Some people tend to believe that what they say should stop me from liking what I like, or that I'm crazy because I like certain things. But, then my music comes up.
As far as not caring what people think... It's more so I'm not worried about what people think. It's a better way to phrase the statement.
I do not create to cater to people. If I did, then I wouldn't be creating anything true. It would be contrived. It wouldn't truly be art. I personally am willing to do me. A lot of people aren't. I know that I create things that people will gravitate towards. If you're not gravitating toward it then it's not meant for you, or perhaps you're just not ready for it. It's not my job to worry about that.
LoW: As a MC, are you content with a small fanbase? Or do you strive to have a larger audience? Did you ever have aspirations to be THE top rapper in the game or was that never a thought?
Conscious: I'm more then a rapper. I enjoy creating music man. But I do much more then rap. Your fan base grows as you put yourself out. I've been in an out of hermitage. So I'm not too concerned about it. I've been fashioning my network and doing a lot unseen. My art, as far as music, is deeper then me spitting rhymes.
I have music in films. I've done music for theater. I'm looking at licensing. I've had a ringtone contract for over two years. I'm getting back into playing music, formulating band situations, and various combinations of performing artists thinking toward those larger shows. I'm more concerned with the quality and diversity of the music I'm responsible for. Being known by millions is only a matter of time. I ain't too worried bout it. Rapper. That's too funny.
LoW: It is kind of funny, because that is only a portion of the art you accomplish. What other forms of art do you do and how did you get into each of the artforms?
Conscious: I paint. I'm a photographer. Somewhat poet and a writer, and I act. Trying to lean into some comedy stand-up-ish stuff. Recently I started incorporating some of the material I write into my 'hiphop' sets. As far as how I got into those different movements of art. I just picked them all up. Felt like taking a picture. Getting on stage and doing improv. There's no real story about any of the art and how I came into it except for the poetry thing.
LoW: What was the story behind poetry?
Conscious: The poetry was a springboard into some of the other stuff. I started doing the poetry seriously after writing a lot about police violence and social injustice. I posted a lot online in this old forum called Fireseek a while back. I met a good friend there as well.
Between posting poetry that got tremendous response and seeing this new friend perform I was basically forced to do it. I had no choice. From there I got into hosting open mics and slams and all kinds of events. I developed a stage presence.
Increased confidence and the realization that I was doing something that motivated others further fueled the flame. When you see that you can affect positive change. Its thrilling. You have to continue.
LoW: And you brought that thrill to prisoners, is that correct?
Conscious: I think the females where more thrilled. I Had a partner that worked in the education department at this Federal joint in the city. And basically he'd schedule to have poets come in and perfroms and speak with the inmates.
Definitely and interesting experience. Something I'd like to do more. Once I've got some things in order. It was a great opportunity. I appreciated the experience.
LoW: Your paintings are kind of wild, free, and colorful-- what is your muse as a painter?
Conscious: Life. Transferring energy. Getting people to open up unused channels in their brains. Getting more folks to enjoy art. Unfortunately, lots of people are intimidated by art. The art world is strange. But it really shouldn't be that way.
Just like music has an ability to affect your emotional state. Calm you or rile you up. Visual art can speak to you in ways that sound can't. People can be motivated by visual art once they're able to be loose and enjoy its full scope. Expanding their minds and full potential. I like to paint live and speak to people while I do so.
LoW: Does that mess with the interpretation of the art? Do you actually explain what you are painting, feeling, and expressing?
Conscious: No, I don't explain much at all. I ask people what they see. The biggest problem and reason why people are afraid to approach most art is because they don't wanna feel stupid for not knowing.
Most times with humans there's this fear of not knowing things and looking like a moron. Suffering embarrassment and ridicule. I ask people what they see. What they feel. I get them to engage their imaginations and to think laterally. That's the purpose most of my art serves. That's where I am currently.
LoW: Versatile creativity seems to be seeping through your pores- where you raised to be creative? Or were these art forms things you were attracted to and learned by serendipity?
Conscious: I think I was raised to be free to do what I wanted for the most part. To explore and none of my talents were stifled. Not to be afraid to try things and not to worry about what people had to say about what I wanted to do.
I don't know about everyone else, but I feel like most times your talents are something that just appear and if you exercise them and have a passion, with practice and study they become more and more refined over time. Perhaps you may see something that peeks your interests.
Realizing the talent you already have you may consider this new thing and add it to your arsenal. When you are confident in what you do you tend to be open when you find newer things that can enhance what you're already doing, or just take you in an entirely different direction. I want to experience as much as I can through art. Living through art you have infinite channels to stroll through if you so choose.
LoW: What about if the ideas behind George Orwell's book '1984' came to surface and even demolished creative thought, art, music, and free thought- where would Conscious be as a person and what would do you think you would do?
Conscious: Probably be killed.
LoW: be killed or kill?
Conscious: Both.
LoW: Another thing you are apart of that I caught on film and enjoyed was the 'Subway Series.' Can you explain what that is, the thought behind it, and where people can join or see it unfold?
Conscious: Hmmm. The Subway Series is like a Hiphop party on the train. Currently organized in NY by Kid Lucky of Beatboxer Ent . (.. m -->http://www.beatboxerent.net/.. m -->) Emcees, poets, musicians, beatboxers, dancers and onlookers meet at various locations. Riding different subway lines. Freestyling and just having a crazy cypher during the ride.
On the way back from the destination to where the ride begins there's networking and exchanging of business cards. Kats sell cd's If we have any press coverage. People get interviewed, do drops. It's a very interesting event. It's been covered by quite a few media outlets.Village Voice, The Source, NBC, NPR...
LoW: Wow, any altercations or persons trying to stop the series?
Conscious: Nope. Never had a problem. We even did it on the Staten Island Ferry. The thing about the Subway Series is in the midst of Hiphop being seen in a poor light we prove that it's not just the mess they broadcast. Sometimes you have to take action and show and prove. Instead of being mad that people are talking badly about you. This is the age of digital tech and web, there's no excuse not to be able to show people more then just the surface of things.
LoW: With all the positive and talented hip hop artists out there today- why do you think hip hop STILL gets a bad rap?
Conscious: It's an age of taking responsibility for the art we do and archiving truth. Because its a powerful source and those that perpertuate the poor images realize it. Its like the Black Panthers doing things in neighborhoods changing things for the better.
They were deemed militant and made to look as if they were blood thirsty maniacs. If you have something like Hiphop that has the potential to affect change globally and destroy the structure that's keeping people in a daze, if you're part of that system that wants things to stay the same, you gotta exploit all means to destroy the entity that has the power to destroy you.
Pretty simple. And at the same time money is being made. Ha ha. Killing two birds with one stone.
LoW: If you had the chance to speak to the young hip hop fans of today what would you tell them? Will the culture still be there for them to enjoy in the future? What can hip hop supporters do to preserve the positivity within the culture?
Conscious: Man I tell kids the same things I tell adults. Be true to yourself. Separate from your ego from time to time and step outside yourself and see the bigger picture. I have no idea what the future holds. I try to live in the moment as much as possible.
True supporters pretty much know what they should do and for those that don't, be active. Be responsible. Help to archive and make records of everything. Take photos get film footage. Share information. Don't complain, affect change. That's it.
Life On Wax
Conscious: Nah I didn't start to 'not care' what people think about my music, I was talking about not caring what other people think about music I listen to. Or rather, their opinions about certain artists that I happen to like. Some people tend to believe that what they say should stop me from liking what I like, or that I'm crazy because I like certain things. But, then my music comes up.
As far as not caring what people think... It's more so I'm not worried about what people think. It's a better way to phrase the statement.
I do not create to cater to people. If I did, then I wouldn't be creating anything true. It would be contrived. It wouldn't truly be art. I personally am willing to do me. A lot of people aren't. I know that I create things that people will gravitate towards. If you're not gravitating toward it then it's not meant for you, or perhaps you're just not ready for it. It's not my job to worry about that.
LoW: As a MC, are you content with a small fanbase? Or do you strive to have a larger audience? Did you ever have aspirations to be THE top rapper in the game or was that never a thought?
Conscious: I'm more then a rapper. I enjoy creating music man. But I do much more then rap. Your fan base grows as you put yourself out. I've been in an out of hermitage. So I'm not too concerned about it. I've been fashioning my network and doing a lot unseen. My art, as far as music, is deeper then me spitting rhymes.
I have music in films. I've done music for theater. I'm looking at licensing. I've had a ringtone contract for over two years. I'm getting back into playing music, formulating band situations, and various combinations of performing artists thinking toward those larger shows. I'm more concerned with the quality and diversity of the music I'm responsible for. Being known by millions is only a matter of time. I ain't too worried bout it. Rapper. That's too funny.
LoW: It is kind of funny, because that is only a portion of the art you accomplish. What other forms of art do you do and how did you get into each of the artforms?
Conscious: I paint. I'm a photographer. Somewhat poet and a writer, and I act. Trying to lean into some comedy stand-up-ish stuff. Recently I started incorporating some of the material I write into my 'hiphop' sets. As far as how I got into those different movements of art. I just picked them all up. Felt like taking a picture. Getting on stage and doing improv. There's no real story about any of the art and how I came into it except for the poetry thing.
LoW: What was the story behind poetry?
Conscious: The poetry was a springboard into some of the other stuff. I started doing the poetry seriously after writing a lot about police violence and social injustice. I posted a lot online in this old forum called Fireseek a while back. I met a good friend there as well.
Between posting poetry that got tremendous response and seeing this new friend perform I was basically forced to do it. I had no choice. From there I got into hosting open mics and slams and all kinds of events. I developed a stage presence.
Increased confidence and the realization that I was doing something that motivated others further fueled the flame. When you see that you can affect positive change. Its thrilling. You have to continue.
LoW: And you brought that thrill to prisoners, is that correct?
Conscious: I think the females where more thrilled. I Had a partner that worked in the education department at this Federal joint in the city. And basically he'd schedule to have poets come in and perfroms and speak with the inmates.
Definitely and interesting experience. Something I'd like to do more. Once I've got some things in order. It was a great opportunity. I appreciated the experience.
LoW: Your paintings are kind of wild, free, and colorful-- what is your muse as a painter?
Conscious: Life. Transferring energy. Getting people to open up unused channels in their brains. Getting more folks to enjoy art. Unfortunately, lots of people are intimidated by art. The art world is strange. But it really shouldn't be that way.
Just like music has an ability to affect your emotional state. Calm you or rile you up. Visual art can speak to you in ways that sound can't. People can be motivated by visual art once they're able to be loose and enjoy its full scope. Expanding their minds and full potential. I like to paint live and speak to people while I do so.
LoW: Does that mess with the interpretation of the art? Do you actually explain what you are painting, feeling, and expressing?
Conscious: No, I don't explain much at all. I ask people what they see. The biggest problem and reason why people are afraid to approach most art is because they don't wanna feel stupid for not knowing.
Most times with humans there's this fear of not knowing things and looking like a moron. Suffering embarrassment and ridicule. I ask people what they see. What they feel. I get them to engage their imaginations and to think laterally. That's the purpose most of my art serves. That's where I am currently.
LoW: Versatile creativity seems to be seeping through your pores- where you raised to be creative? Or were these art forms things you were attracted to and learned by serendipity?
Conscious: I think I was raised to be free to do what I wanted for the most part. To explore and none of my talents were stifled. Not to be afraid to try things and not to worry about what people had to say about what I wanted to do.
I don't know about everyone else, but I feel like most times your talents are something that just appear and if you exercise them and have a passion, with practice and study they become more and more refined over time. Perhaps you may see something that peeks your interests.
Realizing the talent you already have you may consider this new thing and add it to your arsenal. When you are confident in what you do you tend to be open when you find newer things that can enhance what you're already doing, or just take you in an entirely different direction. I want to experience as much as I can through art. Living through art you have infinite channels to stroll through if you so choose.
LoW: What about if the ideas behind George Orwell's book '1984' came to surface and even demolished creative thought, art, music, and free thought- where would Conscious be as a person and what would do you think you would do?
Conscious: Probably be killed.
LoW: be killed or kill?
Conscious: Both.
LoW: Another thing you are apart of that I caught on film and enjoyed was the 'Subway Series.' Can you explain what that is, the thought behind it, and where people can join or see it unfold?
Conscious: Hmmm. The Subway Series is like a Hiphop party on the train. Currently organized in NY by Kid Lucky of Beatboxer Ent . (.. m -->http://www.beatboxerent.net/.. m -->) Emcees, poets, musicians, beatboxers, dancers and onlookers meet at various locations. Riding different subway lines. Freestyling and just having a crazy cypher during the ride.
On the way back from the destination to where the ride begins there's networking and exchanging of business cards. Kats sell cd's If we have any press coverage. People get interviewed, do drops. It's a very interesting event. It's been covered by quite a few media outlets.Village Voice, The Source, NBC, NPR...
LoW: Wow, any altercations or persons trying to stop the series?
Conscious: Nope. Never had a problem. We even did it on the Staten Island Ferry. The thing about the Subway Series is in the midst of Hiphop being seen in a poor light we prove that it's not just the mess they broadcast. Sometimes you have to take action and show and prove. Instead of being mad that people are talking badly about you. This is the age of digital tech and web, there's no excuse not to be able to show people more then just the surface of things.
LoW: With all the positive and talented hip hop artists out there today- why do you think hip hop STILL gets a bad rap?
Conscious: It's an age of taking responsibility for the art we do and archiving truth. Because its a powerful source and those that perpertuate the poor images realize it. Its like the Black Panthers doing things in neighborhoods changing things for the better.
They were deemed militant and made to look as if they were blood thirsty maniacs. If you have something like Hiphop that has the potential to affect change globally and destroy the structure that's keeping people in a daze, if you're part of that system that wants things to stay the same, you gotta exploit all means to destroy the entity that has the power to destroy you.
Pretty simple. And at the same time money is being made. Ha ha. Killing two birds with one stone.
LoW: If you had the chance to speak to the young hip hop fans of today what would you tell them? Will the culture still be there for them to enjoy in the future? What can hip hop supporters do to preserve the positivity within the culture?
Conscious: Man I tell kids the same things I tell adults. Be true to yourself. Separate from your ego from time to time and step outside yourself and see the bigger picture. I have no idea what the future holds. I try to live in the moment as much as possible.
True supporters pretty much know what they should do and for those that don't, be active. Be responsible. Help to archive and make records of everything. Take photos get film footage. Share information. Don't complain, affect change. That's it.
Life On Wax
Monday
My Interview with Real Hot Blog Squad - Full Length...
1 Tell us more about the album Neo-Retro Spectro Graphiks Vol. 1 and some of the producers/artists you worked with.
The record basically compiles over five years of music from various released and unreleased albums. There's music on there from projects that never saw completion. Some pieces are simply journal entries, which honestly I'd say mostly all of the music and or poetry I create are. As far as physically working with producers there are only two I actually did work with. Borgoe from Amsterdam on Love 007 which was brought to me by Nixx P, a good friend and talented being. He was getting tracks from Borgoe for some of his projects and let Tzo and I know about this one he had a concept for. We put together what you end up hearing on the cd. Took me a while to actually figure my verse, I didn't want to be corny and name drop, took a minute for it to come to me. It may be one of my favorite verses I've written to date. I.R Producer a kat from the label Eklektic Gardens I'll be making official this year, makes interesting stuff… 45 King, had a dope loop on his site. I took it. Everything else that I didn't produce myself I just used at some point because it moved me to write. Something that I battled with and convinced myself not to be any longer concerned with is trying to prove my level of diversity through the music, sprinkling different attributes throughout this LP. People tend to think they have you figured out on first listen, (rightly so in most cases these days, quite a number of mainstream, independent and underground artists simply are not much to figure out) with me they actually don't. I'm not even recording or producing the music that is in my head right now. Nor have I even recorded the piles of music I already have written to. I have archives of finished and unfinished material that at some point will see the light and be shared. I made this record because people can't wait to hear what I will have available. I needed something to walk with and hit people off with at shows and while I'm networking in various circles. It's a taste of the past, present and future things to come. Oh and one last thing. I don't collaborate a whole lot. If I'm on a track with an artist it's because I respect what they do and feel confident in their abilities.
2. What's your favorite track on the album and why?
Why do interviewers always ask questions like that? Let's see. That's a hard one. I'm tired of listening to me. Okay, I guess I'd go with the song, 'Type' over that MF Doom track. I think partly because just now, long after writing the verse which was actually a keystyle I typed in an IM box (that's how I came up with the title…) I'm starting to pick up on what subconsciously was being said. Sometimes I go back and listen to old stuff. There are lessons for me in there. There's life in music.That verse I think may epitomize the method in which I've been creating for years now. I also remember enjoying every aspect of putting it together.
3. How would you describe your sound?
Eclectic. Uncontrived. Stream of conscious. A combination of soul, spoken-word, slang spoketry.
4. The song, "Don't Make Me Angry", has a poetic feel to it, how did the song come about?
I made the simplest loop. Some drums, tossed in that familiar Bill Bixby sample from the show, 'The Incredible Hulk' I watched as a kid. The chorus slightly touches on the fact once again that people think they have you figured out. Only this time it's not with the music it's with your temperament and how you may react to things. They make assumptions about you based on perhaps your music or outward demeanor not realizing that at any moment if given the cause you are capable of smiting them. Ha ha. Another thing with the chorus it's on speaking having the potential to do things at a younger age. As a kid you can do but so much on your own. You need some guidance from guardians. They are responsible for shaping you and giving you as much direction to aide your forward progression. Preparing you for what you may possibly face in the world. Though every single angle can not be covered I'm sure. I was dope on the keyboard as a youth. I taught myself to read music early and could play by ear. It was always said, he's so good. I never got those lessons that were always mentioned, that I would need for proper re-enforcement of that talent and knowledge I already had. I'm not upset. I just used that as an example to describe something that happens. And I could have boxed with someone in my corner…
5. Are you ever afraid of fans not being able to identify with your music or not accepting it?
Nope. Not in the least. For one, I cover a lot of ground in what I'm capable of putting out for the ears of the masses. Everything isn't meant for everyone either. The last thing I'm going to do is worry about music. If I had to worry about expressing myself then there would be no point in the action. I'm not going to reach every being on the planet and I'm fine with it. I focus on just reaching out. That's all that matters. Also putting forth a quality effort.
6. What message or what are you trying to say with your music that hasn't been said in hiphop already?
Honestly,there's nothing new under the sun. Everything's been said whether or not it's been heard is the true question. I make an attempt to just be creative. I consider myself using the sound vibrations I create to affect changes in the world that surrounds me. At times putting smiles on faces, encouraging and empowering individuals that listen, ultimately, opening doors to new channels of thought for folks to walk through if they choose. Through this form of expression I share productive energy, become sharper and intend on sharpening others. And it's not in the manner where I feel like I'm mister great Zen well of knowledge, I'm just sharing what I do know and some of what I don't know it's all for the good; for the benefit of my fellow man/woman. Ha ha.
7. Describe that time and place where you knew you wanted to become an MC.
I think it was in 2000 or 2001. Where, who knows? Can't really explain it. Felt it. Did it. Do it now. I will continue, until I stop.
8. What's your long term goal as an MC?
To continue to making good music. Be innovative and make progressive tunes. Contribute positively to the history of this great auditory science. Teach and instruct people of different ages and backgrounds in a classroom setting about the craft.
Bare in mind being an emcee does not encompass every cell of my being. I'm a renaissance artist. I Are 100% Pure Rokstar. [See iareconscious.com]
9. Who are some of the artist's Conscious is bumping right now?
Sum Majere a.k.a. Sumkid or Sum for short. I'd have to say one of the most outstanding emcees I've ever heard. I'm blessed to have him as a friend and an inspiration to keep creating. The dude is an amazing writer and lyricists. Style is incredibly sophisticated in complexity and simplicity if that makes any sense. He's the type of person you listen to and then re evaluate how you're doing what you do. I believe he represents within his music a high standard of honestly, quality and all those great adjectives we use to describe greatness.
Clandestine. Just started listening to these young dudes.. They're something serious man. Talk about inspiring and forward thinking lyrics. And not in that self righteous manner like some artists deemed, 'Conscious'. As far as I'm concerned conscious means aware. If you sell crack or pimp whores, you are conscious of that. If you sell oil on two fitfth. You are conscious of that. Self righteousness is a total dumbs down. Humble yahself bredren!
10. Beef seems to equal album sales now-a-days in hiphop. Do you think all the beef between artist brings hiphop down?
It is what it is. I don't believe that it 'brings hiphop down'. I honestly don't put too much thought in it. I really feel that if we shift focus and shed light on the other side of things then that is more effective in balancing out what 'represents' the culture. What I think folks that are a part of this culture of hiphop fail to consider is that everyone involved is responsible for the goings on within this thing. There's too much blame pushing and complaining, less effective self evaluation. Not to say that you can't be upset when you feel that your art form is not represented in the light you feel it should. But you gottah ask yourself what do I do that changes that. Be the change you want to see in the world. And if your world is hiphop simply be that. You gottah embrace the aspects that need to be embraced. It's our neglect and failure to be responsible for our art if anything that 'brings hiphop down'. I have conversations with people often about the importance of documenting everything we do. Bring your cameras to shows. Take pictures. Get footage. Use the technology we have to show and prove that greatness that comes from this massive entity that is Hiphop. There are two types of people in this world. Those that make things happen… and the rest. Stop being the rest. I personally refuse to be the rest.
11. With all of the downloading of music from the internet, album sales will probably never be the same. What do you think needs to be done about this?
Music is supposed to be free ain't it?
12. How do you feel about the RIAA's bust on DJ Drama?
I honestly haven't arrived at much of an opinion or thought too keenly about the situation I've only read tidbits about. Just seems he's another pawn in this madness that greedy corporate entities have created. It's like The cops that take money from drug dealers and number runners and act like everything is cool. Then at any given moment can go oh yeah you're under arrest I'm taking you in.
13. Do you think there should be more conferences for hiphop artists, dj's, and labels geared toward the betterment of hiphop?
I think it would be great. But I think it's hardly about what I think though. Like responsibility, pertaining to hiphop and life in general is firstly a personal thing. If we refine ourselves and our neighbors it will reflect in the music. The music is a mirror of where we are as people anyway. What we feel. What we have to say. In order for there to be progress within the art we do need communication between the likes of artist labels and DJ's and everyone else involved.
14. Over the years the hiphop culture has had a powerful impact on society. Rappers Jay- Z, 50 cent, and others have solidified other business careers outside of music. Do you think hiphop artists are doing enough for the culture that made their other business careers possible?
Some do. Some don't. I can't really say what anyone else should do. I think some though don't realize what's capable of being done while others don't really care. That's just the nature of man. All I can do is show and prove through my actions. That's what I'm most concerned about. Refining me. Being in control of the history I create for myself through my actions that in turn have an affect on those I interact with both knowingly and unknowingly.
I appreciate your questions.
I enjoyed answering them.
I thank you for the opportunity to express these ideas and thoughts.
http://realhhot.com/blog/
The record basically compiles over five years of music from various released and unreleased albums. There's music on there from projects that never saw completion. Some pieces are simply journal entries, which honestly I'd say mostly all of the music and or poetry I create are. As far as physically working with producers there are only two I actually did work with. Borgoe from Amsterdam on Love 007 which was brought to me by Nixx P, a good friend and talented being. He was getting tracks from Borgoe for some of his projects and let Tzo and I know about this one he had a concept for. We put together what you end up hearing on the cd. Took me a while to actually figure my verse, I didn't want to be corny and name drop, took a minute for it to come to me. It may be one of my favorite verses I've written to date. I.R Producer a kat from the label Eklektic Gardens I'll be making official this year, makes interesting stuff… 45 King, had a dope loop on his site. I took it. Everything else that I didn't produce myself I just used at some point because it moved me to write. Something that I battled with and convinced myself not to be any longer concerned with is trying to prove my level of diversity through the music, sprinkling different attributes throughout this LP. People tend to think they have you figured out on first listen, (rightly so in most cases these days, quite a number of mainstream, independent and underground artists simply are not much to figure out) with me they actually don't. I'm not even recording or producing the music that is in my head right now. Nor have I even recorded the piles of music I already have written to. I have archives of finished and unfinished material that at some point will see the light and be shared. I made this record because people can't wait to hear what I will have available. I needed something to walk with and hit people off with at shows and while I'm networking in various circles. It's a taste of the past, present and future things to come. Oh and one last thing. I don't collaborate a whole lot. If I'm on a track with an artist it's because I respect what they do and feel confident in their abilities.
2. What's your favorite track on the album and why?
Why do interviewers always ask questions like that? Let's see. That's a hard one. I'm tired of listening to me. Okay, I guess I'd go with the song, 'Type' over that MF Doom track. I think partly because just now, long after writing the verse which was actually a keystyle I typed in an IM box (that's how I came up with the title…) I'm starting to pick up on what subconsciously was being said. Sometimes I go back and listen to old stuff. There are lessons for me in there. There's life in music.That verse I think may epitomize the method in which I've been creating for years now. I also remember enjoying every aspect of putting it together.
3. How would you describe your sound?
Eclectic. Uncontrived. Stream of conscious. A combination of soul, spoken-word, slang spoketry.
4. The song, "Don't Make Me Angry", has a poetic feel to it, how did the song come about?
I made the simplest loop. Some drums, tossed in that familiar Bill Bixby sample from the show, 'The Incredible Hulk' I watched as a kid. The chorus slightly touches on the fact once again that people think they have you figured out. Only this time it's not with the music it's with your temperament and how you may react to things. They make assumptions about you based on perhaps your music or outward demeanor not realizing that at any moment if given the cause you are capable of smiting them. Ha ha. Another thing with the chorus it's on speaking having the potential to do things at a younger age. As a kid you can do but so much on your own. You need some guidance from guardians. They are responsible for shaping you and giving you as much direction to aide your forward progression. Preparing you for what you may possibly face in the world. Though every single angle can not be covered I'm sure. I was dope on the keyboard as a youth. I taught myself to read music early and could play by ear. It was always said, he's so good. I never got those lessons that were always mentioned, that I would need for proper re-enforcement of that talent and knowledge I already had. I'm not upset. I just used that as an example to describe something that happens. And I could have boxed with someone in my corner…
5. Are you ever afraid of fans not being able to identify with your music or not accepting it?
Nope. Not in the least. For one, I cover a lot of ground in what I'm capable of putting out for the ears of the masses. Everything isn't meant for everyone either. The last thing I'm going to do is worry about music. If I had to worry about expressing myself then there would be no point in the action. I'm not going to reach every being on the planet and I'm fine with it. I focus on just reaching out. That's all that matters. Also putting forth a quality effort.
6. What message or what are you trying to say with your music that hasn't been said in hiphop already?
Honestly,there's nothing new under the sun. Everything's been said whether or not it's been heard is the true question. I make an attempt to just be creative. I consider myself using the sound vibrations I create to affect changes in the world that surrounds me. At times putting smiles on faces, encouraging and empowering individuals that listen, ultimately, opening doors to new channels of thought for folks to walk through if they choose. Through this form of expression I share productive energy, become sharper and intend on sharpening others. And it's not in the manner where I feel like I'm mister great Zen well of knowledge, I'm just sharing what I do know and some of what I don't know it's all for the good; for the benefit of my fellow man/woman. Ha ha.
7. Describe that time and place where you knew you wanted to become an MC.
I think it was in 2000 or 2001. Where, who knows? Can't really explain it. Felt it. Did it. Do it now. I will continue, until I stop.
8. What's your long term goal as an MC?
To continue to making good music. Be innovative and make progressive tunes. Contribute positively to the history of this great auditory science. Teach and instruct people of different ages and backgrounds in a classroom setting about the craft.
Bare in mind being an emcee does not encompass every cell of my being. I'm a renaissance artist. I Are 100% Pure Rokstar. [See iareconscious.com]
9. Who are some of the artist's Conscious is bumping right now?
Sum Majere a.k.a. Sumkid or Sum for short. I'd have to say one of the most outstanding emcees I've ever heard. I'm blessed to have him as a friend and an inspiration to keep creating. The dude is an amazing writer and lyricists. Style is incredibly sophisticated in complexity and simplicity if that makes any sense. He's the type of person you listen to and then re evaluate how you're doing what you do. I believe he represents within his music a high standard of honestly, quality and all those great adjectives we use to describe greatness.
Clandestine. Just started listening to these young dudes.. They're something serious man. Talk about inspiring and forward thinking lyrics. And not in that self righteous manner like some artists deemed, 'Conscious'. As far as I'm concerned conscious means aware. If you sell crack or pimp whores, you are conscious of that. If you sell oil on two fitfth. You are conscious of that. Self righteousness is a total dumbs down. Humble yahself bredren!
10. Beef seems to equal album sales now-a-days in hiphop. Do you think all the beef between artist brings hiphop down?
It is what it is. I don't believe that it 'brings hiphop down'. I honestly don't put too much thought in it. I really feel that if we shift focus and shed light on the other side of things then that is more effective in balancing out what 'represents' the culture. What I think folks that are a part of this culture of hiphop fail to consider is that everyone involved is responsible for the goings on within this thing. There's too much blame pushing and complaining, less effective self evaluation. Not to say that you can't be upset when you feel that your art form is not represented in the light you feel it should. But you gottah ask yourself what do I do that changes that. Be the change you want to see in the world. And if your world is hiphop simply be that. You gottah embrace the aspects that need to be embraced. It's our neglect and failure to be responsible for our art if anything that 'brings hiphop down'. I have conversations with people often about the importance of documenting everything we do. Bring your cameras to shows. Take pictures. Get footage. Use the technology we have to show and prove that greatness that comes from this massive entity that is Hiphop. There are two types of people in this world. Those that make things happen… and the rest. Stop being the rest. I personally refuse to be the rest.
11. With all of the downloading of music from the internet, album sales will probably never be the same. What do you think needs to be done about this?
Music is supposed to be free ain't it?
12. How do you feel about the RIAA's bust on DJ Drama?
I honestly haven't arrived at much of an opinion or thought too keenly about the situation I've only read tidbits about. Just seems he's another pawn in this madness that greedy corporate entities have created. It's like The cops that take money from drug dealers and number runners and act like everything is cool. Then at any given moment can go oh yeah you're under arrest I'm taking you in.
13. Do you think there should be more conferences for hiphop artists, dj's, and labels geared toward the betterment of hiphop?
I think it would be great. But I think it's hardly about what I think though. Like responsibility, pertaining to hiphop and life in general is firstly a personal thing. If we refine ourselves and our neighbors it will reflect in the music. The music is a mirror of where we are as people anyway. What we feel. What we have to say. In order for there to be progress within the art we do need communication between the likes of artist labels and DJ's and everyone else involved.
14. Over the years the hiphop culture has had a powerful impact on society. Rappers Jay- Z, 50 cent, and others have solidified other business careers outside of music. Do you think hiphop artists are doing enough for the culture that made their other business careers possible?
Some do. Some don't. I can't really say what anyone else should do. I think some though don't realize what's capable of being done while others don't really care. That's just the nature of man. All I can do is show and prove through my actions. That's what I'm most concerned about. Refining me. Being in control of the history I create for myself through my actions that in turn have an affect on those I interact with both knowingly and unknowingly.
I appreciate your questions.
I enjoyed answering them.
I thank you for the opportunity to express these ideas and thoughts.
http://realhhot.com/blog/
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