Conscious Blog Spot

Sunday

Kiss My Converse... or er uh Pumas. Man kiss my sneakers fool!

My sunday afternoon song for you today is off the soundtrack of that eighties favorite, 'The Last Dragon'. Say what you will but I know you liked it. You really liked it. Front if you will. But you will download this tune.

Willie Hutch "The Glow"

Saturday

Wheaton College

Took a trip upstate with the brothers from 3rd Party friday afternoon to participate in a spring arts festival at Wheaton College in the town of Norton, Mass. Big shout to 'Daine' the curator of the event and for those Say Word Entertainment fellows for including me in the festivities.

The kids at Wheaton rock!

Wednesday

K-os : Joyful Rebellion

"Emcee Murdah"

I friend of mine thought that I'd enjoy this album so he put me on to this record. Let me put you on to it as well. K-OS has a sick video where every verse is a different scene from random album jackets he picks up while at a record shop. I'll see if I can locate it.

Talking to another partner of mine that put me on to an emcee that I'd heard of in the past but never gave a listen to. Some may know him from a battle with Super Natural. Check out Juice.

"Sincerely"

But of course you can find this man on Myspace. Hey if you hit'em up about his tunes, tell'em that Conscious put you on.

Jask Clothing

Jask Clothing Buy a shirt...

Tuesday

Donny Hathaway...

I did a search and found a bio I felt suitable for you guys to read, along with your song for today.

Donny Hathaway & Roberta Flack " The Closer I Get To You"

Though his recording career was quite brief, Donny Hathaway has continued to be one of the most influential soul artists of the last quarter century. The longevity of and increase in his popularity is due in large part to the rare combination of gifts he possessed. He was a talented songwriter with the ability to write songs that provided, in a secular format, the depth of the most heartfelt Gospel music; and he was a remarkable song stylist who defined (or redefined) nearly every song he touched in his brief career. His death by an apparent suicide was news in 1979, but it has loomed ever larger since then, and one wonders whether his already strong influence on R&B would have been truly singular if he had lived through the entirety of his creative cycle.

Raised in St. Louis and reared in the church, Hathaway was a child prodigy, singing and playing piano at a very young age. He later attended Howard University, where he met his future singing partner, Roberta Flack. After leaving school, he developed into a sought-after keyboardist and songwriter, ultimately working at Curtis Mayfield’s Curtom Records. He signed a recording contract with Atlantic Records and released his debut, Everything Is Everything, in 1970. It was the world’s first exposure to the plaintive, emotional, velvety singing style that would make Hathaway one of the most revered soul singers ever. His version of Nina Simone’s “To Be Young, Gifted and Black” on that disc is chilling. And his diverse and unique arrangements, combined with his strong writing and excellent outside song selections, made for a fine debut.

Hathaway followed Everything the next year with an eponymous album of cover songs that highlighted his uncanny song selection skills and his formidable ability as an musical interpreter. While not as essential as his debut, it includes very nice covers of Leon Russell’s “A Song For You” and Van McCoy’s “Giving Up.”

In 1972, Hathaway teamed with Roberta Flack for an album of duets that would be the most popular album either would record, and the first major crossover work of his career. It was another wonderful combination of new compositions and definitive covers, and the blending of the two voices was magical. Their version of James Taylor’s “You’ve Got A Friend” was a smash, only to be surpassed by the follow-up, the stylish “Where Is The Love,” one of the year’s biggest soul songs. The album’s clear highlight, however, was Hathaway’s solo cover of the standard, “For All We Know,” maybe the most beautiful ballad he ever recorded and certainly the most memorable version of that great song.

Later that year, Hathaway released an excellent live album. Also around this time, he and his wife Eulaulah had their first daughter, Lalah, who would ultimately be one of the great female Soul/Jazz singers of the 90s and 00s.

By 1973, Hathaway was battling depression, but he nonetheless released the powerful “Extensions of a Man,” an appropriately titled album that showed Hathaway extending himself in many directions, most well beyond the pop/soul format that many of the listeners of his duets with Flack expected. It included many fine cuts, none better than his seminal piece, “Someday We’ll All Be Free,” an expressive, hopeful ballad that has become one of the most important Soul songs of all time. It was covered by Alicia Keys in the famous 9/11 concert special.

Unfortunately, Hathaway would never record another full album. He reunited with Flack in 1977 to record the great Mtume/Lucas composition, “The Closer I Get To You” (most recently covered by Luther Vandross and Beyonce), which became another chart topper for the duo. They had begun working on another album of duets at the time of Hathaway’s death. Roberta Flack released the two finished cuts as part of her 1980 album Roberta Flack featuring Donnie Hathaway.

For an artist who only recorded three solo studio albums, Hathaway left an incredible mark on soul music. Young soul artists from India.Arie to Frank McComb to Alicia Keys to Kenny Lattimore consistently list Hathaway as among their principal musical influences, and his imprint on their music is clear. He was a perceptive and powerful songwriter and clearly one of the greatest Soul voices ever. Any one of his albums is worth obtaining. For newer fans, his posthumous compilation release, A Donny Hathaway Collection, is a wonderful overview of his best music.

Bio Source

Neo Retro Spectro Grafiks Vol.1 It's back! But er uh it never left..

Download full album zip

Friday

Cheetah Juice... Bilal... Fishscale & Rapper Dolls...

So every week, I figure what I'll do for now on when I'm actually home to record and make a call in to Adam Bernard's show (The Adam Bernard Experience on WVOF 88.5 FM Friday nights 7-9pm), is post the our conversations. Seems that in the midst of seemingly nonsensical exchanges we actually manage to hit on a few interesting topics. I IM'ed Adam a minute ago and suggested that ever week I call in and we'll talk for at minimum 60 seconds and drop info on folks. Who knows where it'll go. Just stay tuned in to the blog or better yet tune in to the weekly show.

April 7th 2006

"adam-b-experience[conscious-call-in]cheetah-juice-bilal-fishscale-n-rapper-dolls"